2/16/2023 0 Comments Merida brave artArt related to the story and the characters hardly comes into the book before page 63 the earlier pages are devoted to landscapes of the Scottish highlands, environmental concept drawings, cloud and snow patterns, Celtic graphics for clothing and carvings, and so on. More than the other movies, Brave focuses upon its locale. For another, it is about the setting: primordial Scotland. There is more emphasis on the character designs, the background paintings, storyboards, the visual effects, etc., as the artistic creations of their artists rather than as the components of a feature film. This is because Brave, the motion picture, differs so much from those others.įor one thing, this is about the art of Brave. Yet if this is another studio-authorized coffee-table art book about the making of a theatrical animated feature, it differs noticeably from the books about The Incredibles, Kung Fu Panda, Madagascar, Puss in Boots, Rango, Ratatouille, and so on. The Preface is by John Lasseter, the chief creative officer of Pixar and of Disney, and the Foreword is by Brenda Chapman and Mark Andrews, two of Brave’s three co-Directors. It's Pixar's first feature film driven by a female lead and its first set in an ancient historical period.” This book is written by Jenny Lerew, an animation director and story artist for Warner Bros, Amblimation, Turner, Disney, and DreamWorks Animation most recently for DreamWorks’ How to Train Your Dragon. To quote from the publisher’s press release, “ Brave is Pixar's thirteenth feature film, but it marks two big firsts for the award-winning animation studio. Yes, it’s another studio-authorized coffee-table art book about the making of a theatrical animated feature: Pixar’s Brave, to be released on June 22. San Francisco, Chronicle Books, May 2012, hardcover $40.00 (160 pages). Foreword by Brenda Chapman and Mark Andrews.
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